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Dear Readers, I returned to South Beach - the unlikely but intriguing inclusion in the list of Biennale venues, to delve on the artworks after the first brief encounter. And I lingered for longer than I intended, taking in the traces of its former grandeur, fascinated by the ‘off-limit’ areas that were no less interesting than the exhibition itself. This was when a rather minute discrepancy caught my eye. On the wall, the title card for the artist Kiran Subbaiah had not been fully printed and part of the description had been scribbled by hand. And much to my surprise, this was not the only instance!
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